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Archive for July, 2010

  • Jul
  • 22

Is Location The Key for Luxury Brands?

Smartphones have made location-based advertising more possible

Smartphones Have Made Location-Based Advertising More Sophisticated

Always the mantra of the estate agent, there’s no doubt that location is becoming central to the thinking of marketers responsible for businesses with a ‘bricks and mortar’ presence.  The ability to market in a highly targeted way to consumers in the vicinity of one of your shops is a highly attractive one – asking consumers to detour just a few feet to your store rather than to consider a more onerous journey means that marketing spend works harder. Even better if the consumer’s context and intent is understood – if you’re a fashion retailer who knows customers in your vicinity are shopping for clothes, the effectiveness is amplified even further.

Until recently, the only location-based marketing options available were proximity marketing techniques such as bluetooth, which although often highly effective could only be used sparingly for fear of irritating customers.

But the advent of smartphones and the mobile web has changed the landscape.  People are now using the web on the move and are becoming increasingly prepared to voluntarily share their location, despite privacy concerns. The key to this change in attitude has been rewarding customers for ‘checking in’ to places, and in this regard Foursquare has led the way.

Foursquare is a location based social game that encourages users to ‘check in’ to various locations by offering them rewards.  These may be status titles such as becoming the ‘Mayor’ of a given location,  ‘badges’ unlocked by checking in to a place or places a given number of times, the accumulation of points or incentives offered by businesses to ‘check in’ to their locations.  What’s in it for the business?  Well increased footfall for one thing – Foursquare encourages both competition and socialising. Users competing with each other for ‘Mayorships’ will make more frequent visits to given locations to secure the title, whilst users ‘check ins’ are shared with their contacts not only on Foursquare but on other social networks such as Twitter and Facebook. Hence, friends are encouraged to socialise by being more aware of each others location – and that’s great news for a bricks and mortar business if they decide to socialise in their location.

But although Foursquare has solved the conundrum of enticing users to voluntarily share their locations, it lacks one thing – scale.  Despite its rapid growth, its doesn’t yet have critical mass.  Add in the complications of diverse user intents and brand preferences,and the simple fact that even it’s most avid users won’t be ‘checking in’ all the time and you have a service with a limited potential commercial opportunity, at least at present.

The problem for Foursquare is that both Facebook and Twitter have the scale that they’re striving for, and both are are making plays in the location-based market. Twitter has already launched Twitter Places, which allows users to attach location information to their tweets.  This has 2 future utilities for users – being able to ’search’ by location to see tweets in that vicinity, and ‘promoted tweets’ being inserted into your stream dependent on the location and context of your tweets. Both have potential for advertisers, but rely on Twitter being able to make a compelling case to it’s users as to why they should be attaching location information to their tweets.

Facebook has even more potential for advertisers. The social networking site is fast approaching 500m users and is by far the number 1 destination on the mobile web. And if users can be enticed to share their location then advertisers will have access to a far larger market than either Foursquare or Twitter can muster. Facebook’s Mark Zuckerberg has announced that Facebook is working on location-based services which will be launched soon.

The location-based advertising market is further complicated by the presence of 2 more of the US tech giants – Google and Apple.  Google already offers location-based search for mobiles and Apple’s involvement comes from the iAd ‘in app’ advertising platform they launched recently. As many apps are location based (e.g. mapping solutions) they believe location-based advertising will be an important part of the iAd inventory.

So what should luxury brand marketers make of all these emerging opportunities ?

Many of these options will be attractive to mass brands, but for luxury and premium retailers the ‘who’ is just as important as the ‘where’ and marketers won’t want to distribute discount vouchers and offers like confetti just because people have ‘checked in’ to their location or are wandering in the vicinity of their store.

Google mobile search adds value because there’s an understanding of the intent of the consumer.  If a customer Google’s ‘Pandora Jewellery’ when they’re out and about, it makes sense to be able to serve them an ad which informs them where their nearest Pandora stockist is.

Facebook also offers a promising vehicle as it offers other information that complements the location of the consumer that allows much more precise targeting – whether that customer is a fan of your brand being the most important.

 But the most powerful location based applications for luxury brands might be still to come.  Imagine combining CRM with customer and prospect data with the more advanced location technology being developed which can identify a customer’s location, both indoors and out, without them being forced to ‘check in’. The lack of requirement for a ‘check in’ widens the market, and the integration with CRM allows targeting not only of those most likely to buy, but allows offers and incentives to be targeted precisely.  Such a service could be the key to unlocking the potential of location for luxury brands – be its not here yet..

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By: Graham Painter

  • Jul
  • 22

Effective Facebook Advertising for Premium & Luxury Retailers

Levi's Events Tab on Facebook

Levi's Events Tab on Facebook

Facebook is the dominant platform by far for online advertising and it continues to grow at a rapid pace. According to Comscore, ads served on Facebook grew by 33% between May ‘09 and May ‘10, from  11.8bn to 19.7bn.  It’s nearest rival, MSN, served 4.7bn – less than 1/4 of Facebook’s total.

But how does Facebook advertising work, and where should it fit into the plans of premium and luxury retailers?

Looking at it from the perspective of the purchase funnel, where the top of the funnel is those beginning the research process and the bottom is those actively looking for specific products, Facebook advertising is positioned somewhere near the top. 

Online advertising operates at the top – creating demand via targeting audiences based on demographics, context or browsing behaviour.  Search engine marketing is at its most effective at the narrow end of the funnel – when people are actively searching for their product category or brand.   Facebook advertising sits somewhere inbetween, allowing advertisers to target audiences based on geography, demographics and interests, tapping latent desires to create demand.

In fact, Facebook advertisers can target audience based on a wide range of criteria including geography, sex, age, relationship status, education, birthday, interests as defined by keywords in their profile and pages and groups they are connected to. Advertisers can also target their fans specifically, or even friends of their fans specifically – a powerful feature for premium and luxury brands where ‘friends’ of customers will be a more attractive audience of potential purchasers than any audience defined demographically, geographically or by interest.

And Facebook advertising is extremely cost effective. It can be purchased on a cost per click or cost per thousand model, and the latter is a fraction of the cost of online advertising in more premium environments.  But here lies the weakness of the medium – premium environment it is not and ad formats are so ‘unobtrusive’ as to render them of little value as a branding vehicle. The key is to use it tactically to entice your audience to undertake specific actions which enable you to increase their level of engagement with you and move them deeper into the purchase funnel.

Burberry Video Advertising on FacebookFor example, Facebook advertising is extremely effective in driving prospects to a retailer’s Facebook page to ’Like’ them rather than trying to direct them straight to the retailer’s website. Due to the ’unobstrusive’ nature of the ad on the prospect’s profile, and because it’s likely to be interrupting them from their main reason for accessing the site, it needs a strong call to action.  Hence, advertisers should be enticing users to ‘Like’ a brand in return for some form of benefit – be it access to exclusive content, competition entry or other incentives. ‘Drive to site’ marketing can then commence via users’ newsfeeds once they’ve signed up. Brands such as Burberry and Gap have used this approach to great success.

Facebook advertising can also be used to highlight particular important events to existing fans such as sales or promotions. In this case it just acts to increase the amount of page ‘real estate’ on the users homepage that is devoted to the brand and promotion and makes it more likely they will respond. 

But Facebook advertising can also be used to drive actual store footfall.  The  ’Events ads’ format can be used to promote exclusive in store events such as sale preview evenings.  The ads include a built in RSVP call to action which, when activated allows users to see the full event details, the number of other Facebook users attending and a list of their friends intending.  And of course their acceptance of an event invitation is posted to their friends newsfeeds, making the event a conversation topic. This may lead to further organic growth in the brand’s fan base and/or to friends of the fan signing up to the event as well. Levis have been extremely successful in their usage of this ad format.

Other interested ad formats are also in pipeline, including one for the distribution of free samples which may be of interest to premium health and beauty brands. Users who opt to recieve the sample are prompted for their address details – valuable data for advertisers – and, of course, the fact that a free sample has been requested is posted to their wall, updating all their friends news feeds.

So in summary, our advice for effective Facebook advertising is to use it tactically when you can offer users real benefits for engaging, use strong calls to action, try to ensure your prospects can achieve their goals with leaving Facebook and where possible,  use formats that leverage a user’s connections to your advantage.

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By: Carla Burgess

  • Jul
  • 20

What Should Luxury Marketers Make of the iPad?

The Guardian's Eyewitness iPad App

The Guardian's Eyewitness iPad App

It’s almost 3 months since the launch of Apple’s iPad and there’s no doubt that it’s been a huge success. Over 3m have been sold since launch, over 85 000 applications have been created for it and over 35m apps and 5m ebooks have been downloaded to it.

But who’s using it, what are they using it for and what does all this mean for luxury marketers?

A recent study from Resolve Research has revealed that the iPad’s primary audience has been younger professionals, aged between 22 and 45, who either are early adopters of new technology or live a highly connected and mobile lifestyle.  This is certainly an interesting audience for luxury advertisers, but the research suggests those who intend to buy the iPad may be even more so – as older consumers are expressing more interest than younger.

In terms of what people are using this multi purpose device for, the research reveals that ‘ereading’ is the number one pursuit, followed by gaming. 49% of owners said they would not buy an ereader now that they had their iPad and 38% said they did not plan to own a portable gaming device.

So if the audience is relevant for luxury brands, and set to become even more so, and they’re using it to consume media, then how can luxury marketers best utilise this technology to reach this audience?

In terms of advertising, it’s extremely early days.  Few publications have produced separate iPad applications as yet and the outputs and results have been extremely mixed - from GQs underwhelming 350 downloads to Wired’s 73 000 downloads in 9 days.

Most publishers are wary of investing heavily in iPad apps until they they understand what the level of adoption will be and their probable returns on investment.  It’s also clear that they’re unsure exactly what they should be creating for this device – should it be a version that replicates the experience of flicking through an offline version of the publication, with additional features such as videos and audio, or should it be closer to the web experience where people can comment, share and follow links? Or can something be created that’s the best of both worlds. Certainly user ratings of most of the existing publisher apps are hardly glowing, with many reporting bugs. So until publishers have settled on the best form of content for this device, and have ironed out some of the technical difficulties their apps are having, our advice would be to steer well clear.

The other advertising option is ‘In-App’ advertising or sponsorship, either with the app developer themselves or via Apple’s iAd network. This route looks promising as the iPad format will allow luxury advertisers to create highly immersive and hig quality advertising. However, this model is extremely embryonic – iAd won’t even be rolled out for the iPad until the Autumn – and nobody yet really understands what users’ reactions will be to this form of advertising. Again, in this regard we’d advise to tread warily – luxury advertisers have smaller target markets and if they get it wrong, the implications are more serious.

However its worth noting one particular insight from Resolve Research when thinking how best to market via the iPad – and that is that 55% of iPad owners or potential owners see the device as an ‘expensive toy’. Things may change but this suggests that at present its purchase is for entertainment rather than utility. Hence, if luxury advertisers are looking for creative strategies that will resonate with users, content that entertains and inspires and that users can share to show off their new gadget to friends would seem to be the best route to take.

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By: Graham Painter

  • Jul
  • 8

The Times and Sunday Times – How Should Luxury Advertisers React to the Paywall?

The Sunday Times - Now Behind the Paywall

The Sunday Times - Now Behind the Paywall

‘The Great Wall of Wapping’ has been erected. Since last month, the new Times and Sunday Times sites have required readers to register to access their content and since last Friday, readers have had to pay to access the sites.

Subscription charges have been set at £1 for a day and £2 for a week but, as an introductory offer, readers can subscribe for 30 days for only £1.

Most commentators expect the paywall experiment will be a disaster. After all, internet luminaries such as Clay Shirky have predicted as much. Surely people won’t pay for online news when they have so many free alternatives in the BBC, Telegraph and Guardian to name but 3, plus a plethora of unofficial news sources?  However, the figures suggest that such assumptions may be premature.

Figures from Hitwise showed a sharp fall in The Times share of online ‘news and media’ traffic when the initial ‘register for free access’ site was launched – down from an average of 4.37% in May to 1.81% on 23rd June.  Many commentators remarked that this drastic fall in traffic meant the paywall was doomed to failure but failed to note that 1.81% of the news market represented a potentially high number of registrations, many of whom might be prepared to pay when the paywall was erected. Dwell time on the site did fall from 5 minutes to 3 and half minutes, but with so many ‘bouncing’ as soon as they saw the need to sign up, this wasn’t a drastic fall and perhaps indicates that many were prepared to register to access the content.  In addition, Tom Whitwell, Head of Online at the Times, described the initial level of registration as ‘very encouraging’.

A recent survey of Times readers by PaidContent combined a sample’s willingness to pay for the Times’ content online with assumptions on how often those various groups would access the service. Their estimate, although brimful with assumptions, suggested News International could generate as much as £43m per annum from the switch – eclipsing subscription revenues from the FT and making the Times/Sunday Times the largest subscription based publications online.

The Times - Paywall Erected 2nd July

The Times - Paywall Erected 2nd July

What many commentators have overlooked is that only a very small percentage of the existing online readership of these publications need to pay to make this experiment a success. As one of the smallest of the online ‘qualities’ in terms of market share, behing the Mail, Guardian and Telegraph, the Times papers also had the least to lose – they do not need to generate massive revenues to overhaul their existing online advertising revenues. Even a fraction of the PaidContent estimate would be judged a success.

But why would people pay when they can access news from other sources? This comes down to the power of brands to build communities. We access our news from preferred sources not only due to convenience, but because those sources reflect and reinforce our view of the world and say something about us as individuals. Hence, a proportion of the Times readers online will stick with the Times and be prepared to pay for it rather than switch to alternative sources purely because of their loyalty to the brand.

However, the key to the long term success of this venture will be News International’s ability to lock in loyalty amongst those that are prepared to pay so that this becomes a growth revenue model rather than one that contracts. Further personalistion and community elements are promised. If these enhance the reader experience and reinforce the affiliation that readers have with the paper, subscriptions may grow as word of mouth spreads. They’re going to need subscriptions to grow as online advertising revenues will continue to grow and the switch could look shortsighted in a few years time.

The two other imponderables are the impact of the change on offline circulation and on advertising revenues. 

Will the fact that readers have to pay for online access make more of them buy the paper, or will the fact that the paper has disappeared from Google searches mean less awareness and less offline sales?

In terms of advertising revenues, News International are sure to be expecting a significant reduction but they’ll be calculating that the subsciption fees will exceed their previous advertising incomes .  Also, conversely, the Times and Sunday Times may become more attractive vehicles for premium and luxury advertisers after the introduction of the paywall than before.

If the two Times publications succeed in attracting an identifiable premium audience, and are able to find out more about the motivations, preferences and behaviour of that audience by leveraging their close relationship with them, then not only will luxury brands be able to advertise in a more premium environment free from mass market brands, they’ll be able to target their messages much more effectively, and leverage the publications’ relationships with their readers.

This is all supposition at the moment of course. Once again Rupert Murdoch and his team have set the cat amongst the pidgeons by being prepared to take this leap into the dark. However, they do have a habit of taking big risks and pulling them off.

Our only advice to advertisers at the moment is to stand back a respectful distance for the next few months and watch what happens. But it may be that News International is going to surprise us yet again.

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By: Graham Painter

  • Jul
  • 7

Is Augmented Reality The Future of Luxury?

Tissot's AR Application

Tissot's AR Application

Imagine yourself standing in front of an ‘intelligent’ mirror trying on virtual clothess, changing colours and styles with a flick of your wrist. Or viewing 3 dimensional art within the pages of a magazine without having to visit the gallery.

This may sound like tomorrow’s world but much of it is available today, via an emerging technology known as augmented reality.

The concept of augmented reality is simple – taking real world images, usually viewed via a webcam or mobile phone camera, and adding a ‘layer’ of computer-generated information to ‘augment’ the reality. In practical terms, AR software works by ‘recognising’ an image or symbol in whatever the consumer is instructed to hold up in front of their webcam or phone. This recognition activates the computer-generated data, usually images, and renders them as part of the ‘real’ image.

Until 12 months ago, augmented reality was something that appeared in science fiction movies like Terminator only but recently a whole raft of brands have been using it to stand out from the crowd.

For example last Christmas, Hugo Boss launched a ‘Blackjack’ promotion to drive footfall to their store. Owners of a ‘Blackjack’ game card, distributed via Shortlist and Stylist, could visit Hugo Boss’ store in Sloane Square and use their game card to trigger video of catwalk shows via a webcam in the store window and to play a game of virtual BlackJack instore to win up to £250 of Hugo Boss gift vouchers.

The media has also got in on the act with both Wallpaper and Grazia releasing augmented reality editions were bands play, catwalk shows take place and 2 dimensional pictures of art become 3D all within the pages of the magazine.

Although there is no doubt such campaigns have practical outputs – in Hugo Boss’ case, driving footfall to their stores – it’s clear that their main aim is to entertain and make these brands look cool and cutting edge. However, some brands are using the technology to deliver genuine utility to customers.

For example, Lego has built AR into some of its products’ packaging so customers can hold the box up in front of a webcam and see the components being put together to form a toy.  Cisco is developing an ‘interactive mirror’ where customers will be able to try on garments virtually, moving from one garment to the next with a flick of the wrist.

However the most interesting practical usage of augmented reality was the recent application developed by Holition for Tissot Watches. The software allowed users to try on Tissot’s watches, and view the 3D representation of the watch actually on their wrist through their webcam or via an installation in Selfridges shop window.

Holition is a joint venture between 3D imagery company Inition and the UK jeweller Holts Lapidary and the jewellery, accessories and beauty industry would appear to be the most natural fit for this technology. Viewing you face, wrist, ears, neck or feet via webcam or phone camera is much easier than trying to view your whole body.

The key criteria for success in augmented reality going forward will be convenience, context and utility.

Convenience will only come from software convergence and hardware penetration and processing power. For example, most phones do not have the capacity to handle AR at present, not everyone has web cams, and any use which requires users to download an application rather than use software already embedded in their phone or webcam will be marginalised to the fringes.

Context is key because the delivery of AR has to make sense against the backdrop of reality that it is augmenting. For example, viewing a 3D watch on your own wrist or virtual cosmetics on your own face is valuable context.  Watching a fashion show against the backdrop of a magazine is debateable context as the reality offers little to the experience. In this case, the mobile web is surely a much better medium.

Utility is important because the unexpectedness of this technology will soon evaporate. Once it ceases to be ‘cool’ companies will have to think much harder about how they can deploy it to make their customers’ lives easier and better.

Even in these early days, luxury brands should apply these 3 tests rigorously before dipping their toes into the AR waters.  AR is still relatively unknown to users and brands with innovation and ‘cutting edge-ness’ at their heart can still generate consumer buzz and enhance perceptions of their brand by using it. But already, the PR value is limited unless brands can come up with something genuinely different. And unless the convenience test is passed, the audience size will not justify the investment.

Genuine utility within the luxury industry will come from delivering convenience to time poor  customers who have less patience for amusing frivolities. Hence, allowing customers to try on goods virtually in their own homes or offices to narrow options prior to a store visit, or to increase conversion and reduce returns via an online store, would appear to deliver the required utility. As would allowing customers to try on virtual items not available in store at the time of their visit, but in the privacy of the shop rather than standing out in the street.  Watching a virtual band play against the backdrop of one of your shopping bags, however, although undoubtedly entertaining, is not the sort of AR investment you should be considering.

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By: Graham Painter