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  • Apr
  • 3

Mobile Strategy – Which Luxury Brands are Leading the Way?

Mobile_Strategy_Which_Luxury_Brands_are_Leading_the_WayThe case for mobile investment for luxury brands is looking ever more convincing. 

The latest research from Deloitte has found that smartphone penetration in the UK is nearing 50% and tablet penetration 6%. In addition, mobile browsing is on the rise – in Q3 2011 ComScore found that 46% of mobile users had accessed a mobile site and 44% had used a mobile app. And these are figures for the population as a whole – affluents will be well ahead of these trends.

So it’s not surprising that Professor Scott Galloway and his colleagues at luxury thinktank L2, well known for rating luxury brands on their digital competence, have focused their latest study on the emerging field of mobile marketing.

In compiling their Mobile IQ report, L2 used a similar methodol0gy to their well known Digital IQ studies.  Ratings were based on weighted scores for 4 different mobile marketing categories – mobile sites (40%), mobile apps (30%), mobile marketing (15%) and innovation and integration (15%). Those with a score of over 140 received ‘Genius’ status, 110-139 ‘Gifted’, 90-109 ‘Average’, 70-89 ’Challenged’ and less than 70 ‘Feeble.’

So how did the top 100 luxury brands measure up? 

Well, only 4 out of the 100 - Sephora, Nordstrom, Macy’s and Net-a-Porter – were awarded ‘Genius’ status, as compared to 11 times as many who were rated as ‘Feeble’.  Most of the problem was that luxury brands had yet to fully embrace mobile rather than a lack of competence in mobile strategy execution. However, Galloway and his team  did level some specific criticisms at luxury brands and their approach to mobile marketing.

Mobile Sites

It appears that luxury brands have learnt their lesson from their slow response to the digital revolution – 2/3s of those in the survey had a mobile optimised site and 67% of those sites were m-commerce enabled. 

However,the L2 study criticised most of the sites on offer for not offering a device agnostic experience – that is, not offering all of the functionality of the main site in their mobile site. Common features found to be omitted included videos, product reviews and user ratings.

Given the vastly different browsing experiences between iPad and smartphone, and the growing evidence of the iPad’s importance in ecommerce, it was surprising to find that the provision of iPad-specific experiences lagged badly. Only seven of the 100 brands in the study had an iPad-specific site. Of the remainder, 11% were directing iPad users to their main mobile site and 82% were sending them to their main site, where full functionality was missing in almost 1 in 5 cases because of the use of Adobe Flash. 

Mobile Applications

70% of the top 100 brands had at least one mobile application, however most of the apps on the market were criticised for lacking utility and ’stickiness’.  Less than 1/3 of all apps produced were commerce-enabled and features such as notifications, geolocation and
integration with the phone’s camera and gyroscope were rarely encountered.  

In addition, just 16% of the sample had developed an experience for the unique features and functionality of the iPad.  A more common practice was to replicate the same app across both smartphone and iPad.

Mobile Marketing

Although 78% of the brands in the study engaged in email marketing, only 24% had links to mobile-optimized versions of their email
content despite the fact that consumers are opening 23% of their emails on their mobile devices.

In addition,  integration of mobile offerings was poor. Just 18% of brands with mobile sites were found to have links to their mobile  properties and only 19% of the brands with mobile apps include download links to the corresponding app store.

In the paid mobile search field, luxury brands were found to be lagging too. In the US in October 2011, mobile accounted for approximately 15% of all clicks and 13% of all impressions on Google. During December, it is estimated that those figures rose to 25% and 20% respectively.  Despite this, few luxury brands were observed to be taking proactive steps in this field.  Of search returns rendered on a mobile device, only 13% of brands in the sample had links to any element of their mobile presence on the first page of Google results. Just over a third of the brands had store locators and/or maps returned in their results.

 

So which brands should luxury marketers be looking up to in this emerging field? LVMH’s Sephora secured top spot in the study and was praised for its long term and sustained investment in mobile, including a feature rich mobile site and distinct apps for the iPhone and iPad.

Other brands to earn praise for their mobile initiatives were Calvin Klein for the mobile element of the ‘CK One’ campaign, YSL for their ColorMirror virtual make up app and Salvatore Ferragamo for their iPad site.

It’s the contention of Professor Galloway and his team that mobile competence is inextricably linked to shareholder value and luxury brands that lag will suffer in the long term.   

With more people forecast to access the internet wirelessly via a mobile device than from a wired connection within 3 years, and mobile commerce sales set to quintuple over the next 5 years, it’s hard to disagree.

Although this latest study from L2’s proves that most luxury brands have a long way to go before truly harnessing the power of mobile, our advice would be not to panic. We’d advise embarking on a course of structured low cost testing so that by 2013 you understand how mobile can work for you and how it might drive business.

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By: Neil Cunningham

  • Apr
  • 2

How to Maximise Response to Your Online Advertising Campaign

We’ve written before on the impact that online advertising can have on brand metrics such as brand preference and likelihood to purchase.

But sometimes you need your online advertising to deliver purchasers to your site quickly and efficiently.   So what’s the best way to optimise your campaign to achieve this? According to a recent study from digital advertising solutions company MediaMind, the answer is simple – rich media.

A rich media creative is any form of online advertising that responds to a user’s actions. That would be ads that include video, sound or games or the fact the ad can expand to a larger format, as compared to the standard banner for which the only interactivity is the user’s click to the destination URL.

Rich media has been proven to increase user engagement, including higher dwell rates (proportion of users interacting with an ad) and dwell times (amount of time that users spend interacting with an ad).  But this latest study, analysing over 12 billion ad impressions across 24,000 creatives, shows that it has a dramatic impact on response too.

Post impressions visits – those visits that occur after the ad has been viewed but not as a result of a direct click on the add – were found to be almost twice as high for rich media ads as there were for standard banner ads.

And the results for direct ad clicks were even more stark – 4 times higher for rich media ads than for standard banner ads.In total, across direct clicks and post impression visits, rich media ads delivered 3 times more site visits than standard banners.

And the most effective form of rich media? Video, which delivered 9 times more direct clicks, 1.9 times more post impression clicks  and 6 times more site visits in total than standard banner advertising.

How_to_Maximise_Response_to_your_Online_Advertising_Campaign

So the study suggest that rich media is not only having a positive impact on brand metrics, but also the best choice when it comes to driving direct reponse too, when some might espouse the simple banner as a more effective creative device for this type of message. And video boosts the direct response effectiveness of rich media creative formats even further.

We’ve argued that video is the future of online marketing in previous articles as an investment in ‘on site’ video can help to significantly boost site conversion and basket size. It also appears that video can be highly effective in driving those buyers to your site in the first place.

However, we must sound a note of caution.  In our experience rich media quite rightly can make or break a campaign from a number of perspectives but only if the creative is strong. It seems obvious, but this is often forgotten in the dash to get a campaign live and digital creative slips down the list of priorities.  

Our findings support MediaMind’s in that video definitely helps too. However, it also needs to be considered in a digital context to make the most of the ad spend – repurposing a TV ad is a very blinkered approach. 

As digital spends increase, we should start to see more and more pre-testing of rich media creative. This won’t always be possible from a timing or budget perspective but marketeers and agencies alike should be taking much more time to critique and improve digital creative before it goes live, not just post launch.  Only then will the full direct response potential of rich media advertising be felt.

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By: Carla Burgess

  • Mar
  • 20

The Increasing Influence of Tablets

The_Increasing_Influence_of_TabletsTwo weeks after the launch of the iPad 3, dubbed ‘the new iPad’, seems like a good time to reflect on the growing influence of tablets in premium and luxury markets.

Tablet adoption, although well below the 50%+ penetration levels enjoyed by smartphones, is still growing rapidly. Deloittes recently reported 3m device owners, approximately 6% of the UK adult population – more than double the penetration in 2010.

But despite lagging well behind smartphones in numbers, the tablet is punching well above its weight when it comes to its influence on online advertising and ecommerce.

In terms of responsiveness to advertising, tablet owners are well ahead of their smartphone equivalents. A Nielsen study found that ad recall was higher than on smartphones - 72% had recalled seeing an ad on their tablet vs. 62% on their smartphone - and more users reached for their tablet (28%) than their smartphone (18%) to look up  a product after a seeing a TV ad.

In terms of ecommerce, a study by Logan Tod & Co., found tablets rivalling smartphones for their influence on ecommerce, with 14% of their survey having used a tablet to make a purchase for Christmas 2011 compared with 15% who had used their smartphone. In addition, an Adobe study found that tablet owners spent more on their devices than did smartphone (+54%) or PC users (+21%).

And with the iPad 3, and other developments in the tablet market in 2012, the influence of the tablet is set to grow.

The iPad 3’s HD screen, with 1m pixels more than a standard HD TV screen and a colour palette of 3m pixels, offers additional scope for premium and luxury advertisers to better showcase their wares, including via HD quality video. It’s 4G connectivity will offer increasing scope for fast, convenient shopping on the go when the UK’s mobile networks catch up with its technical spec – hopefully sometime next year. And the very fact it’s out in the market will drive down the price of the iPad 2, hence widening adoption in the tablet market.

The other significant development will be the launch of the UK version of the more accessibly priced Kindle Fire at a date yet to be confirmed this year, which will further deepen penetration of these devices within the UK market.

Our advice to premium and luxury marketers would be to pay close attention to their web stats – what proportion of their traffic is coming from tablets and what are those tablet users doing in the site should be the starting point for deciding whether a tablet optimised site is appropriate. If traffic is significant and the site has been optimised, there’s probably a case for some trials of iPad advertising or for developing iPad specific apps.

Even those for whom the stats don’t make a compelling case as yet should keep things monitored – tablets are far from killing the PC yet but the obituary is beginning to be written.

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By: Graham Painter

  • Mar
  • 20

Why Online Video Is the Future of Luxury Marketing

Why_Online_Video_is_the_Future_of_Luxury_MarketingOnline video is going to be crucial to the success of luxury brand marketing going forward.  How can we be so sure?  Well, there are 3 key factors that are fueling its growing adoption:

Video Consumption Online is Growing

According to ComScore, 33m unique viewers in the UK consumed online video content in January – that’s over 1/2 the UK population.  22 million, about 1/3 of the population, consumed video ads in the same month. Video consumption is popular, and on the rise.

What’s driving the growth?  The popularity of catch up and other video-on-demand services are certainly playing their part, driving an increasing convergence between the PC and the TV.  And with 50% of households able to connect their TV to the internet – either because they have a games console or an internet ready TV - this popularity is only going to grow. In fact, forecasts predict that by 2019 on-demand video viewing will have overtaken live TV viewing, with only  TV blockbusters such as The X-Factor and major sporting events attracting significant live audiences.

This ‘hyper fragmentation’ of the traditional TV audience and their migration online suddenly makes them much more accessible and targetable by luxury advertisers who may not have been able to afford to play in the ‘TV’ market before.

And research indicates that the online video advertising audience is an attractive one for premium and luxury brands. ComScores stats show that there were almost as many video ad consumers aged 45+ (7.4m) as there were aged 15-34 (8.8m) in January. Earlier studies have shown that consumers of online video are better educated and have a higher level of household income than average too.

Online Video Ads are Highly Effective

Online videos ads are the most effective form of online display advertising.

Figures from online ad server MediaMind show that video ads are up to twice as effective in terms of engagment than traditional banner ads, and audiences are engaged with them for up to 39% longer.

A further study by Nielsen found that online ads delivered high levels of overall recall (65% vs. 46% for TV) and message recall, and had a marked impact on brand metrics such as brand preference and purchase intent.

So not only does online video make attractive audiences accessible to premium and luxury brands, it also offers a highly effective way to engage and persuade them to purchase products.

Video Commerce Works

The burgeoning area of video ecommerce seems to have huge potential too, according to the results of a recent initiative by Jaegar.

Three full length catwalk videos from London Fashion Week were encoded on Jaegar’s site to allow visitors to ’shop the catwalk’.  In these videos, products were highlighted by a subtle greyed out box as the model moved down the runway – each of these highlighted products was clickable to purchase.

Jaegar observed a 27% engagment rate across all the videos, an overall click thru rate of 13% and, most remarkable, an increase in basket size of over 300% from those who purchased via the video.

 

So online video can deliver relevant and accessible audiences, can render online advertising more effective and can swell average basket size when used to support ecommerce. Combine this with its undoubted ability to effectively convey luxury brand offerings in a high quality way and you have a compelling case for investment.

Combine some of these factors -  for example, delivering video commerce within online advertising so consumers can purchase products without having to leave your ad – and things really start to get interesting.  

Now can you see why we were so sure that online video is the future?

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By: Lucy Jennings

  • Mar
  • 20

5 Must Know Media Consumption Trends

5_Must_Know_Media_Consumption_Trends‘Tablet computers are now as likely to be found in the hands of over 55s as they are among the under 24s.’

That’s just one of the findings from the 6th annual ‘State of the Media Democracy Survey’, released by Deloitte this week.

The survey, which is as eagerly awaited in the Cream offices as the annual Ofcom Communications Report in August, is packed full of useful facts for marketers trying to pin down stats such as the level of smartphone adoption or the usage of tablet computers in the UK.

The survey is conducted each December (in this case December 2011) with a sample of just over 2000 respondents.  We’ve shared the most interesting of Deloitte’s findings with you below:

1. There are nearly 3m tablet owners in the UK, up from 1.3m in December 2010 - this would equate to c6% of the UK adult population.  As stated above, tablet adoption breaks the tradition that technology is first adopted by the young and then filters through to older age groups.  Perhaps the price point is a barrier in this case. Whatever the reason, tablet adoption is pretty evenly spread amongst age cohorts, with the 35-44 age groups showing the highest penetration at c20% – professionals at their earning peak, the same group that has most enthusiastically adopted Twitter.

2. Smartphone adoption is nearing 50% – smartphone adoption rates differ from survey to survey, mainly dependent on whether the survey uses a consumer definition of  a smartphone (as Deloitte do) or an industry one.  Here, the norm that the young are the early adopters is borne out by the figures – 60%+ of 14-34 year olds own one, compared to 58% of 35-44s, over 40% of 45-54s but less than 30% of 55+s. For both tablets and smartphones, men are more likely than women to own one, although women have caught up in the past 12 months and the figures are now fairly even.

In terms of how smartphones are being used in the purchase process, the Deloitte survey does shed a little light.  17% of the respondents had used their phone to ‘comparison shop’ whilst in-store and 18% had read product reviews, with both activities being regular (at least weekly) behaviours for those that had adopted them.

3. For magazines at least, print still has a future -  despite rising tablet ownership, magazine readers overwhelmingly prefer print, and this preference has been unwavering in the past 12 months. Perhaps surprisingly, given how many tablets that have been sold in the past 12 months, online magazine subscribers were flat at 2% of respondents. 88% of the survey still prefered to read their magazine content in printed hard copy, the same proportion as in 2010.  There are many reasons behind the decline in print magazine circulations, but migration to mobile device versions doesn’t seem to be one of them.

4. Despite the growth of alternative media sources, broadcast TV remains consumers favourite type of media – and this was observed across all age cohorts, including the 18-24s.  It would appear our attachment to the TV is enduring. However, our methods of consuming broadcast TV are changing with 12.5% less live viewing in 2011 vs 2010, mainly driven by an increase in consumption via PVRs. And the number one reason to record live TV? To fast forward through the commercials.

5. Traditional media channels still remain highly influential – 64% said they visited websites as a result of seeing them on TV, an action which was as common for 14-17 year olds as for 45-54 year olds. Magazine and newspaper ads were almost as influential (c60%) and more so than ads seen on other websites (c50%) and ads on social media (less than 30%). However, the gaps between digital and traditional media were narrow and the 2 most influential media in terms of driving traffic to websites were search and online recommendations – the latter mainly driven by online reviews rather than social media. 

In fact, online reviews seemed to be becoming even more influential, with 30% more stating they’d made online recommendations in 2011 vs 2010, with the sharpest growth in online recommendations amongst the 55+s.

 

The survey paints of picture of UK consumers being passionate adopters of new technology – more in line with their US counterparts rather than their European cousins – but using this media to complement their existing media choices and consume more media, rather than cannibalising their existing activities.

For marketers, the lessons are that they need to reflect changing trends in their marketing strategies – such as the increasing use of smartphones to support the in-store experience. However, despite the inexorable rise of digital media, UK consumers still remain attached to traditional channels too, and these traditional channels still have a role to play in the marketing mix.

 

 

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By: Graham Painter